Naming of the Awards

The Awards are named for women who have had a considerable influence on New Zealand architecture.

Tere Insley, for whom the Leadership Award is named, is a pioneering Māori architect whose career has fundamentally shaped architectural practice, education, and cultural representation in Aotearoa New Zealand.

In 1980, Tere Insley became the first wahine Māori to graduate with a degree in architecture, and in 1984 she became the first wahine Māori registered architect in Aotearoa. Raised in a te reo Māori-speaking whānau in Otuwhare, her practice has consistently sought to weave Māori knowledge, tikanga, and identity into an industry historically dominated by Eurocentric frameworks. Throughout her career, she has worked across government, large commercial practices, and iwi-led projects, contributing to civic, educational, commercial, and kaupapa Māori architecture that reflects people, place, and whakapapa.

Beyond her built work, Insley has played a significant leadership role within the profession. As a Tikanga Māori Architect, an NZRAB registration assessor (including assessing applicants in te reo Māori), and a Fellow of Te Kāhui Whaihanga New Zealand Institute of Architects, she has advanced cultural understanding, mentorship, and equity within architectural education and professional practice. Her advocacy has helped open pathways for Māori practitioners and contributed to a broader recognition of Indigenous knowledge systems in architecture.
This award pays homage to Tere Insley by naming the Leadership Award in her honour, recognising her pioneering contribution and the generational impact of her leadership. In doing so, it acknowledges the importance of Indigenous leadership, representation, and knowledge in shaping the built environment, and makes visible a lineage of Māori women architects whose contributions have historically been marginalised within architectural discourse.

The naming of this award also recognises the importance of leadership that extends beyond design excellence and leadership that advocates for equity, nurtures emerging practitioners, and reshapes the profession to be more inclusive, culturally grounded, and socially responsive.

Margaret Munro, for whom the Diversity Award is named, had a long and distinguished career as an architect in Christchurch.

Margaret Munro’s lifelong career in architecture began with a passing comment on one of her childhood drawings. The admirer was Christchurch architect Cecil Wood who provided Munro with her first place of employment, where she worked her way up from general office dogsbody to doing fine planning and detailing of his designs, alongside architects Paul Pascoe, Gerald Bucknell and Robert (Bob) Munro, whom she later married.

It was the 1930’s and Munro was dissuaded against entering into formal architectural studies. “Cecil was a man who thought girls should have a lovely social life and look pretty. He felt I would be wasting the best years of my life if I bothered about exams”. Munro instead complimented her work in Wood’s office with classes at the Canterbury College School of Fine Arts, later becoming secretary of the Architectural Students Association. In 1945, Bob and Margaret left Wood’s practice, setting up in partnership. While their work was collaborative, Bob was the qualified architect, so the practice and designs went under his name.

Following Bob’s death in 1959, Margaret was encouraged to apply to the NZIA for registration, and in 1960, after 29 years in the profession, Margaret Munro was finally able to call herself an architect. Munro continued to practice up until her retirement in 1975. “I set up as Mrs Margaret S. Munro ANZIA, with the Mrs in very small print”.
 

Her reputation for a traditional approach to design, reliability, and attention to detail ensured steady commissions. Her work includes the cricket pavilion and Burnett Block at St Andrew’s College, the McSkimming Industries office building on Tuam St and many houses. “Once you are an architect, I don’t think you ever stop being one.”

Lillian Chrystall, who has lent her name to the Excellence Award, practiced architecture continuously for 60 years, initially in London and Paris, and in Auckland from the 1950s to 2012. 

A graduate of Architecture from the University College of Auckland and Fellow of the NZIA, Lillian has practiced almost continuously for six decades while bringing up three children alongside her architect husband and partner in practice, David Chrystall. Following graduation in 1948, Lillian worked for a brief period in Wellington before a return to Auckland to teach second year as part of Vernon Brown’s studio – the first woman on the teaching staff. Two years later, she travelled to Europe, working first with Hungarian Erno Goldfinger, mostly on post-war reconstruction work in London, followed by a position with Andre Sive in Paris. 

Lillian returned to New Zealand in her late twenties, immediately starting her own practice, Lillian Laidlaw Architect. Her first employee being David Chrystall who she later married, setting up partnership with Chrystall Architects in 1958. Their house on Airedale Street was a short five-minute walk from their Symonds Street studio and became a gathering place for a lively clan of architects.

David Mitchell, then a second-year architecture student, answered their ad for a babysitter and ended up working in the office - “the scene around their dining table was a real blast”. Her partnership with David was a successful one. Chrystall Architects work ranged across commercial, education and residential with Lillian gaining an NZIA National Bronze Medal for the Yock House, Remuera in 1967. “The house is a brilliant essay in assured simplicity. It succeeds without affectation, but with tremendous subtlety and sensitivity… direct and elegant detailing in NZ terms. A difficult site intertwined to advantage by form and placing of the house and superbly controlled landscaping”. In the 1980s, after 25 years working together, Lillian commented, “Had we worked on the same designs, it would have been intolerable. But we didn’t. We each have our own work”.

As a long-time city dweller, Lillian was an urban advocate along with Bill Wilson & Co. for pedestrian-friendly space in Kartoum Place and Vulcan Lane. While a reluctant star, Lillian had undoubtedly generated a significant body of work, influenced many and contributed to the NZIA and city environment in both a pragmatic and uncontroversial manner.
With her retirement in 2012, following a 64-year career, Lillian was one of New Zealand’s most enduring and talented practitioners. In conversation with Lindley Naismith in 2004, Lillian said her greatest reward was to be found in a client’s expression of pleasure, sometimes many years later, in what she had done. “It’s still exciting to come to work every Monday, and I regret going home at weekends to clean the house”.