Elizabeth Campbell

This project consolidates two adjacent blocks. Together, the two dwellings, one old and one new, are conceived as a ‘share-house for ageing-in’. Two kitchens are separated by small courtyards allowing for either two independent households to share open spaces or four smaller sub-households (such as individual sub-tenants or an elderly couple) to live semi-independently with use of the double site. Rooms are configured to allow a range of flexible household configurations and fully accessible ageing-in place. The design is structured around the central courtyard, which provides quality private open space for residents, and contributes to the amenity and greenery of the of the heritage streetscape.

Situated on the traditional lands of the Wurundjeri People of the Kulin Nation, Collingwood Yards is the first of its kind in Australia; a new contemporary arts precinct emulating internationally successful and self-sufficient social enterprise models. The former Collingwood Technical College has been redeveloped into a major new creative hub offering secure and affordable tenancies for artists, arts organisations and creative enterprises.

Our vision of Collingwood Yards was developed through a study of the urban ecology of Collingwood and in consultation with artists, musicians, curators and indigenous urban planners to understand the needs of contemporary practitioners and organisations.

Our approach to working with the existing fabric was one of minimal intervention. We used design strategies to preserve the sense of discovery and patina of the old buildings, without ossifying them as relics or simply preserving them. Through our design we tried to frame and highlight existing ‘banal’ features, while making new work distinct.

Melbourne Place is a new independent hotel accommodated in a “complete design”, a new building with fully integrated interiors, carried out by a single team. Our work included collaborating on the development of the hotel brand in conjunction with Client Josh Taylor, brand agency Studio Round and Hotel Managing Director Tracy Atherton. The design of the building, the interiors and the hotel brand have informed each other from the very beginning such that the identity of this hotel is expressed in every part of the physical object. Sensibilities around space, volume, light, colour, texture and detail are consistent from the urban scale down to the cabinet hardware lending a sense of substance, a complete vision, each element reinforcing and amplifying the unique character of the place.

The design of the building derives from the particular architectural and cultural identity of Melbourne generally but more specifically, the actual site in the east-end of the CBD. The mass and detail have a twentieth century quality, reinforced by the highly modelled tinted concrete and brick façade and the operable shutters to every guest-room. This architectural expression aims to position Melbourne Place amongst an esteemed lineage of some significant nearby buildings – The T&G building, Cavendish House and right next door, Hero, the old Russell St telephone exchange.

The sixteen-level building includes two basement levels, a double-height scaled ground plane engaged on it’s three outward-facing sides, a first-floor balcony projecting over Russell Street and a three-level “top-knot” recessed form the street wall and formed in a gauzey corten brise-soleil.

While we focussed on making a ‘polite’ building, a seemly neighbour, we also aspired to imbuing it with a personality so that it could be a familiar friend to Melburnians, a vessel for great hospitality which would be recognisable, even memorable. A persona is embedded in the very structure, an abstract zoomorphic form with a long brick neck and a set of super-scaled eyes looking out to the north. This persona formed a conceptual basis for every design question and as the design evolved the original idea and the intrinsic personality of the building emerged.

The building is tonal, muted and natural, made from bricks developed for the project (with Kraus bricks in Stawell) and warmly tinted pre-cast concrete, highlighted with deep red metal accents and window frames. The bricks flow into the interiors where they meet colour – sometimes intense, sometimes playful, designed to lodge in the memory. Interior colour is set against large areas of complementary natural materials – West Australian jarrah, locally sourced terrazzo in blends developed specifically for Melbourne Place and metallic accents in brass and corten steel. Fixtures, fittings, lights, carpets and furniture have largely been sourced from local makers and designers, many made specifically for Melbourne Place. Local artists have been commissioned, not simply to adorn, but to represent Melbourne culture – contemporary, sophisticated, urban, multi-cultural and grounded in the lands of the world’s oldest continuous living culture. The effect is visually fresh but uncannily familiar, an authentic representation of place.